THE ROLE OF THE NAY IN UZBEK AND OTHER EASTERN MUSIC TRADITIONS
Abstract
This article explores the role of the nay in Uzbek and other Eastern musical traditions. It examines the historical origins of the instrument, its significance in classical and folk music, and the diverse playing techniques found in different cultures. The study highlights the nay’s presence in Uzbek Shashmaqom, Persian Sufi music, Turkish Mevlevi traditions, and Arabic classical ensembles. Additionally, the article discusses the nay’s adaptation in modern music genres, demonstrating its continued relevance in contemporary musical expressions.
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