ARTISTIC FEATURES OF NIZAMI GANJAVI’S EPIC “MAKHZAN UL-ASRAR”

Authors

  • Muhayyo Toshpo‘latovna Muhammadiyeva Teacher of Mother Tongue and Literature

Abstract

In the first epic of the great poet Nizami Ganjavi’s “Khamsa” titled “Makhzan ul-Asrar” we can observe the skillful and effective use of spiritual, verbal, and combined literary arts. This initial epic serves as a mirror reflecting the lofty poetic mastery of the great word artist. This article highlights some of the types of poetic artistry found in the epic.

References

1. Nizami Ganjavi. Makhzan al-Asrar. (Trans. by Jamol Kamol). Tashkent: Kamalak, 2016.

2. Shaykh Ahmad ibn Khudoydod Tarazi. Funun al-Balagha // Uzbek Language and Literature. 2002, p.88.

3. Hojiahmedov, A. Poetic Devices and Classical Rhyme. Tashkent: Sharq, 1998. p.62.

4. Is’haqov, Y. Antithesis // Uzbek Language and Literature, 1970, Issue 5, pp.80–83.

5. Dilnavoz Yusupova. Rules of Aruz Metre and Fundamentals of Classical Poetics. Tashkent, 2018. p.190.

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Published

2025-09-12

How to Cite

Muhayyo Toshpo‘latovna Muhammadiyeva. (2025). ARTISTIC FEATURES OF NIZAMI GANJAVI’S EPIC “MAKHZAN UL-ASRAR”. Prospects for Innovative Technologies in Science and Education, 2(9), 15–19. Retrieved from https://incop.org/index.php/pro/article/view/1930